The art scene of early 20th century was about to undergo a transformation. Artists had been limited by conventional representation for millennia, showing the world realistically and lifelike. But a fresh generation of artists was set to break these rules and establish a new language of creation.
Pablo Picasso, a young Spanish artist with previously established reputation for his audacious and creative paintings, led this revolution front and foremost. Picasso set out to question the accepted wisdom and produce a fresh approach to depict reality alongside fellow great artist Georges Braque.
Cubism sprang from this and would permanently alter the direction of art history. Cubism was a fresh approach of thinking about art, not only a new fashion. It was a radical experiment in fragmenting and reassembling shapes, a rejection of conventional approaches of perspective and representation.The art world was shocked and disbelieving of Picasso and Braque’s early Cubist works. The odd, abstract shapes and the rejection of conventional methods confused critics. Still, the two musicians were relentless, sure they were about to experience something fresh and fascinating.
Growing numbers of artists, like Juan Gris, Fernand Léger, and Robert Delaunay, drew Cubism as it developed. By pushing the envelope of what was feasible and experimenting with fresh approaches, each of these artists added their own special viewpoint to the movement.Using collage was one of the main Cubist inventions. Cubism had a significant influence on the evolution of modern art and painters could produce challenging and dynamic compositions by cutting up paper and reassembling it in fresh and unexpected ways. From Futurism to Surrealism, it opened the path for a variety of avant-garde groups and shaped artists ranging in scope from Salvador Dalí and Francis Bacon.Considered as one of the most significant art trends of the 20th century today, cubism broke drastically from conventional representation to provide artists with fresh opportunities and alter our perceptions of art.