Mysterious and fascinating nation North Korea possesses a rich and distinct cultural legacy. Though isolated from the world community, the Democratic People’s Republic of Korea (DPRK) has created a unique artistic identity moulded by its socialist philosophy and Juche ideas.
Established in 1959, the epicentre of North Korean art is the Mansudae Art Studio Over 1,000 painters live at this huge Pyongyang compound, working nonstop to produce famous pieces reflecting the communist values of the government. From elaborate paintings to huge structures, Mansudae’s creations show the nation’s dedication to its philosophy.
Socialist realism that captures daily life, industrial settings, and revolutionary heroes defines North Korean art. Emphasising national pride and self-reliance, the Juche philosophy permeates North Korean art. Often working with strong colours and energetic compositions, artists are urged to produce works that advance the leadership and the revolution.
North Korean culture consists mostly in music and dancing. The socialist philosophy of the nation has affected its rich legacy of folk music and dance. Popular North Korean music is that of the all-female band Moranbong Band. Their energetic performances—often containing patriotic songs—are evidence of the dynamic cultural environment of the nation.
The socialist mindset of North Korea greatly shapes its literature. Authors are supposed to create works endorsing the leadership and revolution’s values. Probably Hong Seol, who penned the 1951 book “The Guest,” is the most well-known North Korean author. This timeless piece of North Korean literature chronicles the path of a young man travelling to the countryside where he gains insightful knowledge on the need of diligence and effort.
Another significant component of North Korean culture is their films. Run by the government, the film business generates films endorsing socialism philosophy. Released in 1972, “The Flower Girl” the most known North Korean movie. This beloved movie chronicles the fight of a small child against the Japanese colonial rule.